Before starting to develop digital prints, I had to produce new motifs that would then be made into brushes on photoshop. It was important to make sure that these new motifs were different from the others used for my screen. Sticking with black media, I started to look at some designs that I looked at right at the beginning of the project. I used fine liner, watercolour, oil bars and Biro.
I thought that it would be a good idea to use smooth mark making as my motifs on screen were quite solid and graphical. This meant that my digital prints had a different feel to them, yet were still clearly part of the same collection.
Once I had chosen the motifs to take forward into photoshop, I scanned them in, making sure it was on a high resolution to get all the detail. As a class, we had a digital work shop with our tutor, where we were taught how to make our motifs into brushes in photoshop. It was quite a easy process, so I picked it up quite quickly and finished all my brushes. We also had to put our colour palette onto the swatch palette on photoshop. We did this by eye, saved it and started to play with designs.
Creating my colour palette
(Intial colour palettes)
(Final colour palette)
I really liked my researched image therefore I decided to take my colours from that. Once my palette was developed I created my swatches on photoshop and started to create print designs.